Month: December 2016

Twitter is no longer about small communities (but other places can be)

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2016 has been a hard year for many I know. Lots of us are still hanging on to what positivity we can, turning ennui and grief into action for themselves, for others, and against incoming attempts to install fascism and oppression around the globe.

2016 has also been hard for another reason: social media. No, I’m not talking about bloviated tweets from you-know-who. I’m talking about trying to be a decent person with a public presence on Twitter or Tumblr or Facebook or what-have-you.

These sites have, increasingly, been creating a bubble around what we read daily. No, I’m not talking about this echo chamber, not exactly. Articles like this one blame us for the problem. Instead, I’m talking about the bubble created around marketing data and “engagement” that has caused sites like Twitter to destroy their most useful feature — unfiltered and unfettered access to what people I follow say daily.

I was one of many people against Twitter’s algorithmic timeline, the odious feature that would create exactly the echo chambers the media is now decrying. Like with Facebook, we got here because our opinion doesn’t matter when weighed against businesses — the algorithmic timeline exists to funnel people into easily marketable segments that make data and ads from Facebook or Twitter easier to sell. It also serves to channel what’s most popular or best funded, even if that content is egregious bullshit.

Like many, when I started on Twitter, I used it as a feed to follow people I was interested in daily. This relationship quickly conflated friendship with readership, causing me to “follow” thousands of people while keeping a very short, private list of about 40 that I read daily.

While imperfect, this situation worked. It was easily digestible, and it let me share my art with hundreds of people daily, channeling my creativity in productive and beneficial ways. If you look back to 2014, for example, you see me substantially more positive and outgoing than I feel today.

The algorithmic timeline has, in many ways, provided the inverse. While its impact does not exist in a vacuum (many other changes occurred in 2015 and 2016 that made them especially difficult years for me), Twitter’s increasing focus on popular and paid content has come at a direct detriment to people that focus on building smaller, closer-knit communities. It’s also drowned out many starting, upcoming, and niche artists that rely on a diverse community to succeed.

Instead of keeping my relationship to my followers linear with time and with tweets, the algorithmic timeline has made this relationship hyperbolic. This means that the very successful or broadly reaching (celebrity tweets, memes, and people who focus on constant engagement to wide audiences of people) do exponentially better from Twitter’s new perspective. Conversely, this perspective has hurt people like me, who focus on smaller communities in which we feel we do the most good. If this sounds like a metaphor for similar arrangements in society, rest assured — it is.

The constant barrage of “Promoted Tweets”, “Moments”, “In case you missed it”, “Since you’ve been gone”, and “Show me the best tweets first” distracts from the most important feature Twitter once provided: reading what a small collection of friends are saying daily. And that piercingly hurts.

This arrangement has substantially amplified people who use the system to their benefit. For example, artists that use retweet campaigns and raffles (which implicitly apply operant conditioning to a wide audience) have become increasingly successful under Twitter’s model of more favorably valuing favorites and retweets in algorithmic feeds. Artists like myself, who choose to forego these techniques to provide a higher quality of signal on a tweet-by-tweet basis, generally do worse — despite our desires to continue to have a more authentic relationship with our audience.

If a hyperbolic model works for you — great! Keep doing what you do. For those whom it doesn’t work, please understand that authenticity isn’t dead, but it’s much less successful on Twitter than it used to be.

For those of us used to the unfiltered model, the result has been a slow gaslighting. Many people I know (myself included!) were easily convinced, by falling numbers and falling readership over time, that something we were doing was wrong — and that this was our own fault.

Many people who were once the most authentic and interesting voices in my timeline have, increasingly, been expressing feelings of isolation, remorse, burnout, and a lack of connection with people whom they once considered their friends. Through no fault of their own.

Increasingly concerning, many of my friends have, at different intervals, emotionally broken down. Between June and September of this year, I also broke down. I had been so reliant on Twitter as a personal emotional tether that I failed to realize when it had come undone, and worse, had become actively abusive in a hyperbolic model of conversation. It wasn’t just me.

Reading these vignettes from friends has been personally heartbreaking. So many of you are amazing, creative people that are lost in the noise through no fault of your own. Watching as increasingly loud, controversial, and popular content polarizes a once stratified and diverse community is incredibly painful.

It’s not just you. It’s the programming.

If you are like me and have been dealing with this specific form of anxiety, I strongly recommend investing in self-care and smaller communities to help you reconnect. Please remember that you are valuable.

In the vacuum of better social media options (competitors like mastodon.social seem potentially promising), I recommend Discord highly. Others have had success with Slack, Telegram, and traditional forum software. Use what works best for you.

Should you desire to chat, I can be found as Goldkin or GoldkinDrake on most services (and Goldkin#3497 on Discord). Please feel more than welcome to drop me a friend invite and say hello.

2016, in brief

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2016 has not been a fantastic year for me. I’m going to do my best to bounce back — by reviving my projects that brought people joy in 2014 and 2015, and by adding a few new ones that I’ve not yet announced here.

I’ve bounced back from severely discouraging times before, and I’m hopeful now. Please continue to check this space and my public Twitter for more.